Eugenio Andrighetto (IT)
Alfredo Bernacchia (IT)
Bombay Dub Orchestra (UK)
Valter Binotto (IT)
Giorgio Cividal (IT)
Carlo Conti (IT)
Domenico Drago (IT)
Todd Gipstein (USA)
Paul Hicks (AUS)
Bruce Hornstein (USA)
Dixie Hornstein (USA)
Nick Ketteringham (UK/FR)
Alf Kuhlmann (AUS)
Luciano Laghi Benelli (IT)
Francesco Lopergolo (IT)
David Lyons (UK)
Andrew T. Mackay (UK)
Gruppo Mignon (IT)
Hermann Miller (DE)
Franz Miller (DE)
Luis Moser (IT)
Phil Ogden (UK)
Mal Padgett (AUS)
Raymonde Renoud (FR)
Diego De Riz (IT)
Alex Rowbotham (UK/IT)
Hans Ruedisueli (NL)
Antoine Ruedisueli (NL)
Aldo Di Russo (IT)
Pascal Sauley (FR)
Sandro Di Stefano (IT)
Roberto Tibaldi (IT)
Franco Toso (IT)
Cristina Toso (IT)
Claudio Tuti (IT)
Chris White (UK)
Darryl Williams (UK)
How to make a building projection
During the festival there will be an opportunity to attend a presentation "How did you do that?" an informal and general discussion talk with examples, of how one of the festival architectural projections was made. Watchout V5, will be discussed as this is Lana Lights preferred software for building mapping.
Presented in two or three languages through interpreters.
Eugenio Andrighetto (IT)
Alfredo Bernacchia (IT)
Bombay Dub Orchestra (UK)
Valter Binotto (IT)
Giorgio Cividal (IT)
Carlo Conti (IT)
Domenico Drago (IT)
Todd Gipstein (USA)
Paul Hicks (AUS)
Bruce Hornstein (USA)
Dixie Hornstein (USA)
Nick Ketteringham (UK/FR)
Alf Kuhlmann (AUS)
Luciano Laghi Benelli (IT)
Francesco Lopergolo (IT)
David Lyons (UK)
Andrew T. Mackay (UK)
Gruppo Mignon (IT)
Hermann Miller (DE)
Franz Miller (DE)
Luis Moser (IT)
Phil Ogden (UK)
Mal Padgett (AUS)
Raymonde Renoud (FR)
Diego De Riz (IT)
Alex Rowbotham (UK/IT)
Hans Ruedisueli (NL)
Antoine Ruedisueli (NL)
Aldo Di Russo (IT)
Pascal Sauley (FR)
Sandro Di Stefano (IT)
Roberto Tibaldi (IT)
Franco Toso (IT)
Cristina Toso (IT)
Claudio Tuti (IT)
Chris White (UK)
Darryl Williams (UK)
Eugenio Andrighetto (IT)
Alfredo Bernacchia (IT)
Bombay Dub Orchestra (UK)
Valter Binotto (IT)
Giorgio Cividal (IT)
Carlo Conti (IT)
Domenico Drago (IT)
Todd Gipstein (USA)
Paul Hicks (AUS)
Bruce Hornstein (USA)
Dixie Hornstein (USA)
Nick Ketteringham (UK/FR)
Alf Kuhlmann (AUS)
Luciano Laghi Benelli (IT)
Francesco Lopergolo (IT)
David Lyons (UK)
Andrew T. Mackay (UK)
Gruppo Mignon (IT)
Hermann Miller (DE)
Franz Miller (DE)
Luis Moser (IT)
Phil Ogden (UK)
Mal Padgett (AUS)
Raymonde Renoud (FR)
Diego De Riz (IT)
Alex Rowbotham (UK/IT)
Hans Ruedisueli (NL)
Antoine Ruedisueli (NL)
Aldo Di Russo (IT)
Pascal Sauley (FR)
Sandro Di Stefano (IT)
Roberto Tibaldi (IT)
Franco Toso (IT)
Cristina Toso (IT)
Claudio Tuti (IT)
Chris White (UK)
Darryl Williams (UK)
How to make a building projection
During the festival there will be an opportunity to attend a presentation "How did you do that?" an informal and general discussion talk with examples, of how one of the festival architectural projections was made. Watchout V5, will be discussed as this is Lana Lights preferred software for building mapping.
Presented in two or three languages through interpreters.
Eugenio Andrighetto (IT)
Alfredo Bernacchia (IT)
Bombay Dub Orchestra (UK)
Valter Binotto (IT)
Giorgio Cividal (IT)
Carlo Conti (IT)
Domenico Drago (IT)
Todd Gipstein (USA)
Paul Hicks (AUS)
Bruce Hornstein (USA)
Dixie Hornstein (USA)
Nick Ketteringham (UK/FR)
Alf Kuhlmann (AUS)
Luciano Laghi Benelli (IT)
Francesco Lopergolo (IT)
David Lyons (UK)
Andrew T. Mackay (UK)
Gruppo Mignon (IT)
Hermann Miller (DE)
Franz Miller (DE)
Luis Moser (IT)
Phil Ogden (UK)
Mal Padgett (AUS)
Raymonde Renoud (FR)
Diego De Riz (IT)
Alex Rowbotham (UK/IT)
Hans Ruedisueli (NL)
Antoine Ruedisueli (NL)
Aldo Di Russo (IT)
Pascal Sauley (FR)
Sandro Di Stefano (IT)
Roberto Tibaldi (IT)
Franco Toso (IT)
Cristina Toso (IT)
Claudio Tuti (IT)
Chris White (UK)
Darryl Williams (UK)
Supporting Luce dipinta as a member provides many benefits such as, posting your own multivision stories, events, announcements and publicity on the Luce Dipinta website; be invited to all public events, members-only workshops and events, and to the annual meeting of the association; and have an opportunity to offer suggestions and ideas for future events